Ravan: Enemy of Aryavarta #BookReview

Book: Ravan: Enemy of Aryavarta
Author: Amish Tripathi

I have a soft spot for this series by Amish Ramayan series because it was with the first book  Scion of Ikshvaku that I kicked off this blog. I loved that one. I was curious about how Amish would handle this multilinear narrative and that was what made me pick up Sita and now Ravan: Enemy of Aryavarta.

The story

The book traces the life of Ravan, son of Rishi Vishrava and Kaikesi. Disliked by his father and not particularly fond of his mother Ravan, is a lonely child. He has a streak of cruelty that makes him torture small animals and watch them die.

If he has one tender place in his heart, it is for his baby brother Kumbhakaran. Ravan leaves his father’s ashram with his  mother, his uncle Mareech and Kumbha to protect his (Kumbha’s) life.

He knows he is made for great things and he sets out to achieve what is rightfully his, Kumbha and Mareech by his side. From a small-time smuggler he turns into a pirate and powerful trader. Unfettered by the values and principles that hamper others he forges ahead.

However, there is one pure, unsullied memory from his childhood that refuses to leave him – a face, a voice that could potentially steer him away from his reckless path. He seeks out that face but on the verge of turning over a new leaf it is snatched away from him. Filled with rage, he unleashes it on the Sapt Sindhu. Ravan thus emerges as the quintessential villain. He challenges the authority of Kubaera the businessman ruler of Lanka and displaces him to become king.

As he notches up victory after victory he is unaware that he is part of a larger plan, a cog in the wheel rolling towards a greater goal, orchestrated by the great rishi Vishwamitra. 

Ravan was a disappointment

First there’s the voice of Amish. He speaks the language of the millennials and that gets jarring, specially in a mythological setting (Remember Hanu Bhaiya in Sita?). I get that it’s his style and I did love Meluha though it had the same voice. Perhaps it might have something to do with the fact that I’ve grown up listening to the Ramayan and so find it tough to adjust to this pop-version.

My biggest complaint however is that the book turns plain boring in bits. There were too many and too detailed explanations and descriptions – of the Sapt Sindhu, the caste dynamics, the trading system, of traditions and palaces. There are too few dialogues, slackening the pace of the story.

Then there’s the story itself. Amish is known to give his own twist to every tale. I’ve liked his twists, I’ve liked how they tie in neatly with the original familiar story. However here, without giving out spoilers, all I’ll say is that Ravan as an angry lover-boy didn’t seem believable at all, more fantasy than mythology.

Then there’s the reference to Sabarimala. In his previous books he brought in references to a gory rape and then Jallikattu, this time it was Sabarimala. Perhaps that’s an attempt to weave in current events but it seems like a forced addition to the narrative.

The saving grace was the portrayal of Kumbhkaram – the endearing, good-natured giant. He is Ravan’s conscience and emerges (almost) as the hero of the book.

Also, I’m a little curious how Amish will take the story forward now that Ravan knows who Sita is. I’m hoping with all the war-action the next one won’t be a disappointment.

Perhaps the author should stick with lesser-known mythological re-tellings. He certainly has the knack for bringing alive mythological settings, of building up strong characters and of springing surprises.

Last thought: Read it only if, like me, you’ve committed yourself to the series. You might find yourself skipping pages though.